A Curtain of Green: And Other Stories
(eBook)

Book Cover
Average Rating
Published
Houghton Mifflin Harcourt, 1991.
Appears on list
Status
Available Online

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Format
eBook
Language
English
ISBN
9780547538501

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Citations

APA Citation, 7th Edition (style guide)

Eudora Welty., & Eudora Welty|AUTHOR. (1991). A Curtain of Green: And Other Stories . Houghton Mifflin Harcourt.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Eudora Welty and Eudora Welty|AUTHOR. 1991. A Curtain of Green: And Other Stories. Houghton Mifflin Harcourt.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Eudora Welty and Eudora Welty|AUTHOR. A Curtain of Green: And Other Stories Houghton Mifflin Harcourt, 1991.

MLA Citation, 9th Edition (style guide)

Eudora Welty, and Eudora Welty|AUTHOR. A Curtain of Green: And Other Stories Houghton Mifflin Harcourt, 1991.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID29a30a9c-b492-52d9-ded4-5731a17dac9c-eng
Full titlecurtain of green and other
Authorwelty eudora
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-05-18 02:49:57AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 26, 2022
Last UsedMay 7, 2024

Hoopla Extract Information

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    [synopsis] => When A Curtain of Green was published, it immediately established an unknown young writer from Mississippi as a uniquely original literary voice and a great American author. In her now-famous introduction to the collection, Katherine Anne Porter wrote that "there is even in the smallest story a sense of power in reserve which makes me believe firmly that, splendid beginning that it is, it is only a beginning."   In this collection are many of the stories that have become acknowledged masterpieces: the hilarious over-the-top family drama that drives a small-town resentful postmistress to explain "Why I Live at the P.O."; the deeply satisfying thwarting of a trio of busybodies by a "feeble-minded" young woman in "Lily Daw and the Three Ladies"; the poignant pilgrimage of elderly Phoenix Jackson in "A Worn Path"; and the boldly experimental and jubilantly playful literary improvisation of "Powerhouse," inspired by a performance Eudora Welty saw by Fats Waller.   Porter added that "[Welty] has simply an eye and an ear sharp, shrewd, and true as a tuning fork." Like the jazz tunes Powerhouse bangs out on the piano, Welty's stories remain as fresh, alive, and unpredictable today as when they first appeared.
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